DANI HVARSKOGA KAZALIŠTA 45; KNJIŽEVNOST, KAZALIŠTE, DOMOVINA

SADRŽAJ

Cvijeta Pavlović: »Njegov je duh najbliži duhu nacije« – od Palmotića do Voltairea / »His Spirit is the nearest to the Spirit of Nation« – from Palmotić to Voltaire, str. 5

Anamarija Žugić: Tradicijom promišljena suvremenost: Robinja Ranke Mesarić / The Traditional in the Contemporary: The Slave Girl by Ranka Mesarić, str. 26

Branka Brlenić-Vujić: Araličina proza o Grabovcima kroz postaje povijesti / Aralica’s Prose about Grabovci through Stations of History, str. 38

Ivan Bošković: O čemu pjevaju hrvatski pjesnici kad pjevaju o domovini? / What do Croatian Poets Write about when They Write about Their Country?, str. 49

Ivica Matičević: Domovina i književnička krivnja: Što je Budakov tajnik predlagao Krleži 10. travnja 1942? / Homeland and Writer’s Guilt: What did Budak’s Secretary Suggest to Krleža on April 10, 1942?, str. 76

Igor Medić: Fantomski likovi i fantomski tekstovi u Krležinu Areteju i oko njega / Phantom Characters and Texts in Krleža’s Aretej and Around Him, str. 88

Nataša Govedić: Dom, krOlimp i prateća apokaliptika / Home, KrOlimp and the Accompanying Apocalyptic Literature, str. 116

Ana Lederer: Zakon iz kazališta gledan / Law Seen from Perspective of the Theatre, str. 138

Martina Petranović: »Pa i dramski pisci su pisci«. Nagrada za suvremeni hrvatski dramski tekst – poticaji i posrtaji / »Playwrites are Writers, too« Award for Contemporary Croatian Dramatic Text – Encouragements and Fails, str. 155

Ivana Žužul: U škripcu književnohistoriografskoga diskursa ili o mjestu suvremene hrvatske drame u nacionalnom književnom kanonu / Stranded by Literary-Historiographic Discourse or on the Place of Contemporary Croatian Playwriting in the National Literary Canon, str. 180

Lucija Ljubić: Suvremeni hrvatski dramatičari i njihovi redatelji / Contemporary Croatian Playwrights and Their Directors, str. 200

Goran Pavlić: Narod, domovina, Domovinski rat – teatrološki prilozi političkom / The People, the Homeland, the Great Patriotic War – The Political Seen from the Perspective of Theatre Studies, str. 219

Helena Peričić – Antonija Zubčić: Strano vs. domaće/domovinsko u hrvatskoj drami posljednjih desetljeća prošloga stoljeća / Foreign vs Domestic in the Croatian Drama of the Last Decades of the 20th Century, str. 237

Ivan Trojan: Antimodernizam u drami Nosi nas rijeka Elvisa Bošnjaka / Antimodernism in Elvis Bošnjak’s Drama Nosi nas rijeka, str. 254

Vesna Vlašić: Slavonsko ratno pismo ili kako voljeti domovinu / Slavonian War Letter or how to Love Your Homeland, str. 265

Dubravka Crnojević-Carić: Nevinost domovine u izabranim dramama Ivana Vidića i Lade Kaštelan / Innocence of the Country in the Selected Plays of Ivan Vidić and Lada Kaštelan, str. 282

Marina Milivojević Mađarev: Motiv domovine i smrti u dramama Dušana Kovačevića / The Motive of Homeland and Death in the Dramas of Dušan Kovačević, str. 299

Marijana Roščić: Što je gastarbajterima domovina? / What is Homeland to a Gastarbeiter?, str. 308

Agata Siwiak: Balkan Strategies / Balkanske strategije, str. 317

Tatjana Ileš: Gori gora, gori domovina. Reprezentacija domovine u tekstovima suvremene hrvatske popularne kulture / Burning Homeland. Representation of the Homeland in the Texts of Contemporary Croatian Popular Culture, str. 333

Maja Lasić: Hrvatska drama na sceni Hrvatskoga narodnog kazališta u Mostaru od 1992. do 2010. / Croatian Drama on the Scene of the Croatian National Theatre in Mostar from 1992 – 2010, str. 350

Teodora Vigato: Domovina u književnim predlošcima za lutkarska uprizorenja / Homeland in Literary Templates for Staging as Puppet Shows, str. 369

Igor Tretinjak: Carićeve Judite i Planine. Putovanje u lutkarsku heterogenost i ritualnost / Carić’s Juditas and Mountains. A Journey into the Heterogeneity and Rituality of Puppetry, str. 386

Sibila Petlevski: O problemu svjedočenja »neizgovorivog« na primjeru Don Juana u ratu / On the Problem of Witnessing »The Unspeakable« as Exemplified by Don Juan in War, str. 408

ISBN: 978-953-163-480-9